When I was in elementary school we would have occasional assembly days — often toward the end of the school year — when we would just watch a movie. I’m sure it was to give the teachers a break. The two movies I remember seeing over and over again, year after year, were Old Yeller and Free to Be… You and Me.
The first, of course, was that classic, heartbreaking Disney film about two boys and their dog. The second was a show (originally a television special) made up of different spoken and musical segments, starring Marlo Thomas “and friends.”
Free to Be… You and Me was originally a record album and a book, something I didn’t know until I was well into adulthood. The television special, which was based on the album, came out in 1974. According to the album’s liner notes, the project was conceived when Thomas was searching for a bedtime story for her niece Dionne “and found, with few exceptions, shelf after shelf of books and records, for boys and girls, which charmingly dictated who and what they must be. … I wanted something… to celebrate who she was and who she could be, all the possibilities and all the possible Dionnes.”
Free From Gender Stereotypes
The value of Free to Be… You and Me is the way it defies gender stereotypes. If you’re inclined to roll your eyes and think, “Oh, great — feminist brainwashing,” hear me out. The unfortunate stereotype of feminism is “male-bashing,” but that’s not at all what this (or what true feminism is). Free to Be… You and Me is just as much about liberating males from stereotypes as it is about liberating females. Is there anything more freeing than not having to suppress your emotions simply because you’re male? And possibly no one could deliver that message more powerfully than retired football player Rosey Grier.
Those who are suspicious of feminism might also rejoice in the message of the “Ladies First” segment — being a “lady” doesn’t entitle you to special treatment.
But while Free to Be… taught girls not to abuse their gender, it also taught them that their gender didn’t need to confine them. In the early to mid-1970s, girls still were surrounded by messages that their ultimate goal should be marriage. We read fairy tales that ended in marriage and “happily ever after,” played with bride paper dolls, and married Barbie off to Ken. The message from the “Atalanta” segment was refreshing: There’s nothing wrong with marriage, but you don’t need to be married to live “happily ever after.”
Somewhat Dated But Still Necessary
There’s no doubt that Free to Be… You and Me can appear a bit out-of-date in a culture that has, in some ways, changed dramatically since the album and film came out. In 2012, one millennial writer wrote, “I also laughed out loud during my first listen to ‘Parents Are People,’ where Harry Belafonte and Marlo Thomas list of all the things that mommies and daddies can be, but point out that mothers ‘can’t be grandfathers. Or daddies.’ Tell that to Thomas Beatie, the transgendered Oregon man who gave birth to a girl in 2008.”
But despite the writer’s assertion that she grew up believing that she could be anything, “a doctor, a lawyer, a musician, whatever,” there are still occupations, such as construction and nursing, that are dominated by people of a particular gender. And there’s a more subtle message in the song that’s right there in the title: parents are people. I’m afraid that didn’t really sink in for me until I was an adolescent, but it’s good for children to hear. Child, you are an important part of your parents’ lives, but they are more than just your parents.
What strikes me about Free to Be… is how so much of it is still relevant today. When I read the comments on the “It’s Alright to Cry” video on YouTube, it’s clear that the message is still one that people, particularly boys, need to hear. And in the Instagram age, girls still need to hear Roberta Flack (or, on the album, Diana Ross) sing, “I like what I look like” in “When We Grow Up.” If only we women would absorb that message instead of “you aren’t pretty enough.”
The clip below, from the television special, features Flack and Michael Jackson.
Perhaps someday the entire album or show will be updated and remade. In the meantime, the theme song was redone by musician Sara Bareilles. It may be old and somewhat obscure these days, but Free to Be… still has a lot to say.