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Something Wonderful

Something Wonderful: Pop Culture Happy Hour and the Slate Culture Gabfest

Listen to these podcasts

Like many people, I got sucked into the world of podcasts by Serial. Now I’m subscribed to nine active podcasts. Of these, two of my favorites are round-table discussions on culture.

NPR’s Pop Culture Happy Hour and the Slate Culture Gabfest are very similar to each other — to the point where they sometimes cover the same subject matter. The Culture Gabfest is the older of the two podcasts, and it has more of a highbrow flavor (after all, its name lacks the word “pop”). Hosts Stephen Metcalf, Julia Turner, and Dana Stevens cover three topics and end the podcast with endorsements of music, books, television shows… even products.

While I enjoy the thoughtful discussion on recent movies, essays, and subjects such as pilgrimages to writers’ houses, part of the fun is the interplay between the hosts. Metcalf and Turner often seem to be at odds with one another, although their verbal sparring is generally friendly. An exception to this occurred during a recent discussion on the unmasking of Elena Ferrante, which became so heated that Stevens suggested her co-hosts send each other wine as an apology gift. When Turner was absent from the podcast the following week, I was concerned. Then Metcalf missed the next week’s live show, although there was an explanation given for his absence: He was ill. I admit I was relieved when the team was back together three weeks after the Ferrante episode. Stevens plays the role of the conciliatory team member — she even appears between her two cohosts in all of the pictures on the show’s homepage. She’s also known for her amusing endorsements, including freshly grated nutmeg and Bob Ross’ “Beauty is Everywhere.”

I’m tickled by the fact that the Culture Gabfest begins with the warning: “The following podcast contains explicit language.” After that, you might expect a lot of f-bombs, but unless you think of the $50 words that Metcalf uses as explicit (according to Wikipedia, he pursued a Ph.D. in English at Yale), you’ll rarely hear any expletives on the podcast.

Pop Culture Happy Hour usually has more hosts and fewer segments. Most of the time three of the seats are filled by Linda Holmes, Stephen Thompson, and Glen Weldon; the fourth chair, once occupied by Trey Graham, rotates between different people from the NPR staff, including Kat Chow, Ari Shapiro, Gene Demby, and Audie Cornish. Episodes usually include two segments followed by “What’s Making Us Happy This Week,” this show’s version of endorsements. Like Gabfest, this podcast covers recent movies and television shows, as well as general topics, but the overall tone is a bit lighter than Slate’s and, thanks to the rotating fourth chair, the voices can be a little more diverse. Conflict between the hosts seems less barbed than in Gabfest, and the conversation feels less academic.

I already have long lists of books to read and things to watch — far more than I can consume before I die. I really don’t need to add more to my lists, but I still rejoice in the discoveries I’ve made thanks to these shows. While it’s been hard to miss the buzz around Stranger Things, the reason I asked my husband to watch it with me was because a contributor on PCHH spoke about how the show was influenced by Stephen King, Steven Spielberg, and John Carpenter. I picked up The Cuckoo’s Calling because of a special edition interview with J.K. Rowling on PCHH, and, when Culture Gabfest guest Laura Miller described Don’t Breathe as a reversal of Wait Until Dark, I decided I need to see the two movies back-to-back. The podcasts have also done me the service of letting me know when not to bother with something: both covered The BFG, and since neither show gave it glowing reviews, I decided to skip it, beautiful as the previews were.

Pressed to pick my favorite from these two podcasts, I’d have a terrible time. Thanks to the participants, both shows have a lot of personality. The Culture Gabfest is your really smart aunt who is not above watching the new TV show that everyone is talking about. You find your aunt a little intimidating, even though you admire her and enjoy spending time together. She can chat with you about all sorts of things while dropping in references to Wittgenstein and using words like “epistemological.” You learned a little about Wittgenstein in college, and you understand what “epistemological” means, but these are things you yourself do not use in conversation. Pop Culture Happy Hour is your cousin who talks with you about Steven Universe. Like you, he’s educated enough to understand most of the words and many of the references in your aunt’s conversation, but he speaks in a more down-to-earth manner. The two of you also share geeky interests that, despite your aunt’s well-roundedness, are really not her thing. You feel more at home with you cousin, but you find conversations with your aunt a little meatier.

Fortunately, I don’t have to choose between them.

The Slate Culture Gabfest comes out on Wednesdays, and Pop Culture Happy Hour is released on Fridays. Go forth and listen, and then let me know what you think.

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Something Wonderful

Something Wonderful: Sneaky Cards

Sneaky Cards
How on earth am I going to get rid of that “Connect” card on the right? My middle name is “Tansey.”

I ran across Sneaky Cards at Mischief, a geeky toy shop in St. Paul that is something wonderful in and of itself. The blurb on the box describes the game as an interactive scavenger hunt, and the sample card instructs “Take a selfie with a total stranger. When you do: Hand them this card.” I’m an introvert, and I hate selfies, but because I like to challenge myself, I had to buy this deck of cards.

I love it.

The deck includes six different categories:

  • Surprise: The easiest cards for introverts, these generally ask you to leave the card someplace where it will be found, such as in a library book or near a famous landmark.
  • Connect: These cards do require interaction, such as picking a random word from the dictionary and then giving the card to the next person who says that word. I’ve failed to notice my word, although it is not all that esoteric.
  • Care: The cards in this category encourage you to brighten someone’s day by doing things like leaving a generous tip or baking something for a friend.
  • Grow: In this group of cards, you’ll be instructed to do things like cracking a code.
  • Create: This is the category that artistic people will love best, since it requires you to do things like designing a new sneaky card.
  • Engage: I consider this the most daunting group. For example, if I am to complete this deck of cards, I’m going to have to give a speech to at least three strangers in an elevator. That will stretch me more than any of the “Grow” cards will!

No matter what a card tells you to do, when you have completed the challenge, you will give that card to someone or leave it someplace to be discovered.

There are two ways you can play this game. I’m doing it the noncompetitive way: my challenge is simply to give away all of my cards. You also can play with a group of friends, each trying to be the first to get rid of his or her deck.

Whichever way you play, there is an online component that may enhance the experience, though that really depends on the people who receive your cards. Your deck has a unique number, and each card in the deck features your deck number plus a number that represents that particular card. People who get a card from you may go online and register the card so that you can track it. If you’ve participated in BookCrossing, the principle is very much the same. Only one of the six books I “released” through BookCrossing was registered online by its finder, and if he or she re-released that book, it has never turned up in the tracking system again. I’ve played 11 Sneaky Cards, and none of them have been registered yet. This doesn’t diminish my enjoyment of the game, but if that sort of thing matters to you, I wouldn’t count on much online feedback as you distribute the cards from your deck.

If you relish a good challenge, seek out a deck of Sneaky Cards and start playing!

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Something Wonderful

Something Wonderful: Slow-burn Sci-fi/Fantasy Romances

Picture of sci-fi/fantasy romance novels
Perfect reading for a rainy day

Unless you count Jane Austen and Charlotte Bronte (I don’t), I rarely pick up romance novels. I do, however, enjoy sci-fi and fantasy novels that have romance thrown in. And I want the romance to be the slow-burning kind, the kind that makes you scream at the protagonists, “Come on! Just kiss already! Declare your love! You’re obviously crazy about each other!”

In the spirit of the slow-burn sci-fi/fantasy romance, I offer you the following gems.

The Best of All Possible Worlds by Karen Lord

In her second novel, Karen Lord plays with the idea of large-scale catastrophe and what it does to a culture. Drawing on news stories about the many women who died in the 2009 tsunami, Lord spins a tale of an entire planet that is destroyed. The Sadiri sent far more men than women to off-planet occupations, leaving a surviving population that was largely male. Grace Delarua is from Cygnus Beta, a diverse planet populated with different people groups who live in a rich array of cultural settings, including various groups of taSadiri, distant relations of the Sadiri. As part of a team that is searching for people who are most closely related to the Sadiri, in an attempt to arrange marriages that will allow them to preserve their identity, Grace slowly develops a growing regard for one of her Sadiri teammates, Dllenahkh.  Within the first 100 pages, I had become so entranced with the story that I was loathe to set the book aside to take care of the daily tasks of life.

Telepathic and empathic abilities, “mindships” and even time travel all play roles in the story, but the core of the novel is the unfolding relationship between Grace and Dllenahkh.

“Ever wonder if you’ve done the right thing?” I asked him finally.

“Frequently,” he replied. “Legalities notwithstanding, to not wonder indicates a dangerous lack of awareness of the nearly infinite array of choices presented by life. More tea?”

I held out my cup in mute assent. His fingertips brushed mine as he took it from me, and I felt a wave of… something. Approval? Affection, perhaps? I looked at him, startled, and he held my gaze for a second before focusing on pouring.

Whether or not any of her other books are of the “slow-burn romance” variety, I’ll be reading more of Lord’s novels in the future.

Bronze Gods and Silver Mirrors by A. A. Aguirre

So far, Ann Aguirre and her husband, Andres, have managed to stretch out this slow-burn romance over two books set in a steampunk universe. I keep checking Ann’s website to see when the next book in the series will come out. I certainly hope there will be another.

The books involve partners Celeste Ritsuko and Janus Mikani, inspectors working for the Criminal Investigation Division in a city called Dorstaad. Bronze Gods is very much a murder mystery, while Silver Mirrors mostly sheds the feel of a detective novel, moving more into the realm of adventure. The key to both is the growing relationship between coworkers who, having come to like each other during the first three years of their work together, find their feelings growing beyond those of good partners.

He drained his own beer with a deep pull, before saying, “Anything for you, partner. You’re always there when I need you, and that means the world to me.”

Warmth spread from the tips of her toes all the way to the top of her head. With anyone else, at a moment like this, she’d be thinking about the curve of his bottom lip or how his whiskers might prickle if she leaned a little closer. Before she knew it, her hand was moving, brushing against his jaw to find out. He leaned into her touch, smiling faintly as he caught her gaze. His skin was hot, the scruff prickling against her palm, and she slid her hand farther back into his hair, because she knew his head ached after a bad night. She pressed her fingertips to a few key points in slow, soothing circles.

“How’s that? Better?”

His lashes drifted shut as he dipped his head forward. When he opened his eyes, their noses were nearly touching. “Much.”

War for the Oaks by Emma Bull

This book is known, in part, for being a defining novel of the “elf-punk” genre. Think faeries and rock bands, but don’t laugh — it works much better than you might expect. Set in Minneapolis in the 1980s, the book is so full of detail that you could cosplay some of the characters. You could also pull together a long playlist of the songs mentioned in the book — something I plan to do someday.

War for the Oaks is a bit different from the other books I’ve mentioned: for one thing, the question of whether or not the romantic tension will be resolved is answered earlier in this book than in the others I’ve mentioned, though the tension still goes on long enough to qualify as slow-burn. It also has some sex scenes that aren’t present in the other books, although they are not at all graphic.

In addition, more than one male character in the book is seriously vying for the attention of Eddi McCandry, the main character. If you read Jane Austen’s Mansfield Park, you may remember wondering if Fanny would end up with Edmund or Henry. Emma Bull’s novel reminds me of that, although perhaps it is better to compare Eddi to Captain Wentworth in Persuasion, turning the question of “who will she end up with” into “will the one who is clearly pining for her win her attention.” Although I probably don’t need to try so hard to avoid spoilers, I’ve chosen a passage from the book that doesn’t reveal the “he” who is in it.

Moonlight reflected off the water and into his eyes, and they seemed deeper than the creek. Eddi knew she should let go of him, maybe say something. But the moment when she should have done that went past. He opened his mouth to speak, shut it again, and shivered under her arm. “Ah, well,” he whispered, with a little catch in his voice.

Besides combining a nerdy theme with romance, Bull’s book has one other thing in common with the books by Lord and the Aguirres. All of them touch, at least in part, on fairy lore — not the fairy tales of the Brothers Grimm, but the sort of stuff you might run across in Faeries by Brian Froud and Alan Lee. In fact, in an interview with Green Man Review, Bull mentions that book as one of her influences.

War for the Oaks is, of course, heavily involved in the world of faerie, given its subject matter. Bronze Gods and Silver Mirrors take place in a world that used to belong to faeries — or “Ferishers” as they are called in the books — and the blood of those faerie natives still flows through the veins of some of the people of that world, including Janus Mikani.

Faeries barely show up in The Best of All Possible Worlds, and when they do, it is in a very different way from the other books I’ve mentioned, but they are there. During the search for compatible mates for the surviving Sadiri men, the team encounters a culture that calls itself the Seelie Court, ruled by “the Faerie Queen.” The notion of an alien culture built on old Earth stories is not the only thing in the book that made me think of Star Trek, but the novel still stands on its own as a worthwhile read.

So here’s your wonderful thing for the week: Pick a book from the list, get your hands on it, and enjoy! Then tell me what you thought.

Update (02/15/21): Looking for more sci-fi romance? I recently posted on the Sirantha Jax series by Ann Aguirre. The first book could qualify as slow-burn.

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Something Wonderful

Something Wonderful: Sharmanka Kinetic Theatre

Time of Rats kinematic sculpture at Sharmanka Kinetic Theatre
Detail from “Time of Rats” by Eduard Bersudsky. Photo by Sharmanka Kinetic Theatre.

I don’t intend to post frequently about wonderful things associated with a particular location, but sometimes a performance or place is too special not to mention. One of these is Sharmanka Kinetic Theatre in Glasgow, Scotland.

Sharmanka is like nothing I’ve ever seen. It has relatives, such as glockenspiel clocks with moving figures and animated Christmas displays in shopping malls, but it is distinctly different from them. A small space, Sharmanka is filled with “kinemats” — moving sculptures of wooden figures and cast-off objects. During the 45-minute show that I attended, the audience first moved between nine different kinemats and then settled in front of a collection of sculptures called “Merry-Go-World” for the remainder of the show.

All of the kinetic sculptures in the theater are the work of Russian-born Eduard Bersudsky. Bersudsky’s creations are filled with fantastical creatures. Birds, mice, bears, dogs, humans and other beings push levers and turn wheels, ringing bells. Occasionally they do other things, such as typing or riding a bicycle. All of this is accompanied by music.

The sculptures come to life bit by bit. Each time one is activated, a part of it is illuminated and begins to move. Once viewers have had a chance to watch that piece in action, it stops, and another part of the sculpture starts up. After individual bits of the kinemat have been highlighted, the audience sees it operate as a whole. I found that this allowed me to absorb the entire work and appreciate Bersudsky’s genius.

If you have the opportunity to go to Glasgow, Sharmanka Kinetic Theatre is a must-see. Tickets are very affordable; the 45-minute show costs £6, and the 70-minute show is £8. There are concessions (discounts) for children, students and retirees. You must pay cash. Sculptures also go on tour; tour dates are listed on the theater’s website.

For those who can’t visit the theater (probably most of my readers), you can see some of the sculptures in motion on Sharmanka’s Vimeo and YouTube channels. Take some time out this week and enjoy the bizarre beauty of Bersudsky’s kinemats.

 

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Something Wonderful

Something Wonderful: Bruce Cockburn

If the name “Bruce Cockburn” doesn’t bring certain songs to mind, take some time this week to sample his music. He’s prolific, original, and a brilliant lyricist and musician… my favorite singer-songwriter, hands down. U2 gave him a nod in “God, Part II” when they (mis)quoted possibly the best line from all of his lyrics:

“Heard a singer on the radio
late last night;
He says he’s gonna kick the darkness
‘Til it bleeds daylight.”

(The actual line, from his 1984 song “Lovers in a Dangerous Time” is “Got to kick at the darkness ‘til it bleeds daylight.”)

Bruce bares his soul through his music. He rages. He lusts. He hopes. Even before I really became aware of him, I’d heard one of his most famous songs, “If I Had a Rocket Launcher,” which seethes with anger at injustice.

“On the Rio Lacantun, one hundred thousand wait
To fall down from starvation — or some less humane fate.
Cry for Guatemala, with a corpse in every gate.
If I had a rocket launcher…I would not hesitate.”

This song, like much of his work, was borne from his own experience — in this case, he was inspired by a visit to a Guatemalan refugee camp in 1983. Bruce is well traveled, and he’s written lots of songs about different places around the world, including Central America, Mozambique, and Nepal.

Bruce considered himself to be a Christian for many years, and that, too, seeped out in songs like “Cry of a Tiny Babe,” as well as influencing his concern for justice and the environment. Be warned, though: His songs are not the stuff you’ll hear on your local Christian station. Bruce isn’t afraid of swearing if he thinks it will help him make his point, and his songs sometimes frankly treat topics like sex and violence.

“When two lovers really love, there’s nothing there
But this suddenly compact universe of skin and breath and hair.”
— from “The Coldest Night of the Year”

While most of Bruce’s music is heartfelt, he isn’t above a little silliness. He’s covered Eric Idle’s “Always Look on the Bright Side of Life,” and he pokes fun at our fear of death in his own song, “Anything Can Happen.”

“I could have been hit by a falling pane of glass.
You could have had shark teeth write ‘finit.’
We could have been nailed by some vigilante type
In a case of mistaken identity – obviously.”

I love Neil Gaiman’s quip, “Picking five favorite books is like picking the five body parts you’d most like not to lose.” I feel this way about many things, including picking my favorite songs by Bruce. I can say confidently that one of them is “Tibetan Side of Town” from Big Circumstance. Every time I listen to that song (and I listen to it a lot), I take a motorcycle ride through Kathmandu.

“Through rutted winding streets of Kathmandu,
Dodging crowded humans cows dogs rickshaws –
Storefronts constellated pools of bluewhite
Bright against darkening walls…”

You can find 13 of Bruce’s songs on his VEVO channel on YouTube.