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Something Wonderful

Something Wonderful: Let Books Inspire Your Life

Live inside a book by playing quidditch
Quidditch Players by Damdamdidilolo (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons

There are many ways a book can be inspirational. The other day, a friend and I briefly discussed A Jane Austen Education, in which the author writes about how reading Austen’s novels changed him as a person. That’s a wonderful thing, but that’s not what I’m writing about here. In this case, I mean something a little less practical and a little more magical.

My guess is that many of us who are serious readers have sometimes wanted to live inside a book. Certainly many a Harry Potter fan has wanted this; that’s why the Wizarding World of Harry Potter exists and why some colleges have quidditch teams. This desire to live inside a book is also why there are tons of literary cookbooks and online recipes, including The Little House Cookbook, The Unofficial Narnia Cookbook, and Voracious: A Hungry Reader Cooks Her Way through Great Books.

Like many readers, I love food scenes in books. I think picture books are an often overlooked source of inspiration. How can anyone resist the supper Margaret makes in The Maggie B.?

“Margaret and James ate the beautiful sea stew and dunked their muffins in the broth, which tasted of all the good things that had cooked in it. For dessert they had the peaches with cinnamon and honey, and glasses of warm goat’s milk.”

And Bread and Jam for Frances is full of food inspiration. Albert and Frances’ lunches sound particularly delicious.

“I have a cream cheese-cucumber-and-tomato sandwich on rye bread,” said Albert. “And a pickle to go with it. And a hard-boiled egg and a little cardboard shaker of salt to go with that. And a thermos bottle of milk. And a bunch of grapes and a tangerine. And a cup custard and a spoon to eat it with.”

“I have a thermos bottle with cream of tomato soup,” she said. “And a lobster-salad sandwich on thin slices of white bread. I have celery, carrot sticks, and black olives, and a little cardboard shaker of salt for the celery. And two plums and a tiny basket of cherries. And vanilla pudding with chocolate sprinkles and a spoon to eat it with.”

While I’ve made adjustments to their menus (I hate celery), I’ve allowed both of these meals to inspire my lunches.

But it’s not just food in books that can capture your imagination. When I was a child, I read and reread All-of-a-Kind Family, a story about five Jewish girls living in New York during the 1910s. While the food was enticing, there were many other things that I loved about the girls’ lives. One of my favorite chapters involved the sisters discovering wonderful books in their father’s junk shop. In another chapter, their mother made dusting an enviable chore by hiding buttons and the occasional penny. It’s hard to hide buttons from yourself before dusting (unless you’re very forgetful), but the ideas behind the stories — discovering treasures among used books, turning a chore into play — are easy enough to make a part of your life, if they aren’t already.

Ursula Nordstrom’s The Secret Language, a book which deserves far more young readers than it has, filled me with dreams of midnight feasts, hidden huts, and fun but impractical Halloween costumes when I was little. As an adult, I still appreciate the May basket the girls made — a tiny scene made of moss, flowers, a twig, and a mirror to make a pond. And if I knew a child at boarding school, I’d be tempted to imitate Victoria’s aunt and send a gift of tiny dolls a few weeks before Christmas break to help the time pass more quickly.

And then there are books that are just asking for a touch of magic. If Universal Studios can take visitors as close as they’ll ever get to Harry Potter’s world, then surely someone can do something similar for The Night Circus! Imagine a place filled with black and white tents, containing amazing acts and seemingly impossible things, like an ice garden. If nothing else, I’d love to attend (or attempt to create) a party based on Chandresh Christophe Lefèvre’s Midnight Dinners, with fabulous food, red and gold decor, and entertainment. The fact that I’m not much of a night person is a problem, but I’m sure I could stretch myself for such an occasion.

Nonfiction, too, can be inspirational. While Elizabeth Gilbert probably wanted me to pay more attention to her interior journey in Eat Pray Love, what I came away with was the desire to take a year to live in a few different places. Under the Tuscan Sun also sparks my desire to live abroad for a while, as well as make some of the food and visit some of the places in the book.

There are plenty of things in books we read that are unattainable. Perhaps they’re as impossible as Celia Bowen’s magical carousel. Perhaps they’re merely impractical, like taking a year off work to travel the world when money is tight. But if a book captures your imagination, ask yourself, “What about this can I bring into my life now? How can I make it a reality on some level?”

Perhaps you’ll be the person to create that Night Circus I want to visit.

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Something Wonderful

Something Wonderful: Forbidden Island

Forbidden Island

When my daughter was young, I noticed that she got a bit upset when she lost board games — a typical response for many young children. While I think it is important for kids to learn to lose gracefully, I decided I wanted to make games more pleasant for both of us by mixing in the occasional cooperative game.

My first cooperative game purchase was Break the Safe. My daughter and I enjoyed it, although I learned that she was as unhappy when our team lost to the timer as she would have been losing to me. I’d review that game for my weekly “something wonderful” post, but Mattel stopped manufacturing it. It costs more than $50 on Amazon. While some complex games cost at least that much, Break the Safe is not that sort of game.

More recently, I purchased Forbidden Island by Gamewright, the same company that makes Sneaky Cards. Forbidden Island is inexpensive and easy to find.

The object of the game is to collect four sacred treasures from an island that begins sinking as soon as your team sets foot on it. If you start gameplay at novice level, this seems quite doable at first. Players can use their turn to work on treasure retrieval or, if needed, to shore up part of the island. In addition, each player has certain skills that help the team achieve its object. The Engineer, for instance, can shore up more of the island per turn than any other player.

The problem is that, sooner or later, a player will get an unlucky card that will increase the pace at which the waters rise. As play continues, the island floods more quickly. Losing is a very realistic possibility. And if, by chance, you find the odds aren’t as much against you as you’d like, you can always start the game at a more challenging level.

Forbidden Island moves quickly; you can easily play more than one round during the time it would take to watch a movie. Gamewright recommends the game for ages 10 and up.

If you haven’t tried a cooperative board game, I highly recommend Forbidden Island. It’s entertaining and easy to learn. And, much as I enjoy movies, there’s a lot to be set for sitting down with friends and family and playing a game.

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Something Wonderful

Something Wonderful: Eartha

Eartha cover

I first heard about Cathy Malkasian’s graphic novel, Eartha, from Glen Weldon on Pop Culture Happy Hour. I don’t remember his exact words, but I believe he described it as “beautiful.” He was enthusiastic enough that I bought a copy and was prepared to be enthralled.

I was disappointed in the first chapter. Although I am not a person who needs action-packed sequences to stay interested, the story’s pacing felt too slow for me. In the beginning we meet Eartha and the people of her home, Echo Fjord. We learn that they harvest dreams from the City, but recently the dreams have become scarce. When a few dreams finally appear, the first  to show up is a graphic sex dream. At that point in the novel, I thought the dream was meant to titillate (pun intended), but it plays an important role in the second part of the book. In fact, many seemingly throw-away details in the first chapter will crop up later on.

Things finally pick up when Eartha leaves Echo Fjord for the City. When she arrives, she finds that the populace has become obsessed with news in the form of a biscuit. As she explores the mysteries of the City and inadvertently shakes things up, she collects allies — just as any protagonist in a fairy tale would.

Eartha’s adventures in the City completely won me over. The story itself is enthralling. The characters are strong, and the art is gorgeous, though not stereotypically so.

Eartha is not only beautiful, though — it’s also timely. As people obsess over their biscuits, she keeps asking, “Is it true?” I don’t know when Malkasian finished the book, but I have to believe she was commenting on our society with this story.

You need to know that Eartha is not like typical graphic novels; it’s hardcover and therefore not cheap. It may be difficult to get at the library, since it is so new, but it’s worth requesting if you decide not to buy it.

 

 

 

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Something Wonderful

Something Wonderful: Hit Parade

The Hit Parade podcast is a wonderful deep dive into popular music.

The Slate Culture Gabfest has recently treated listeners to monthly episodes of a new podcast, Hit Parade. In Hit Parade, Slate music critic Chris Molanphy analyzes a moment in the history of the Billboard’s Hot 100.

The first episode dove deep into the history of one of the most overplayed songs of 1988: UB40’s “Red Red Wine.” It was one of those songs that you might enjoy the first few times you hear it, but if, for instance, you spend a weekend painting your dorm room, and the radio station you are listening to keeps playing it, you lose your taste for the song. So it’s saying something that I listened to the first episode of Hit Parade all the way through with interest. I can even tolerate hearing “Red Red Wine” again, simply because I now know so much more about the song’s history.

The second episode has been my favorite to date. In it, Molanphy explores how the Beatles landed the top five slots on the Hot 100 one week in 1964. It’s a fascinating story, and it taught me a lot about how the Beatles broke into the American market. (Hint: It wasn’t as easy for them as you might think.)

The most recent episode compares the careers of Elton John and George Michael. While the episode supposedly focuses on a week in 1988 when they were rivals on the Hot 100, it covers so much territory that the week in question feels like an afterthought. That said, as I listened I developed a deeper appreciation for Elton John, whose music I already liked.

What makes all of these podcasts wonderful is Molanphy’s deep knowledge of popular music. He tells you things about songs and their history that you’d never think to ask about, and you feel richer for it.

As far as I can tell, you can’t subscribe to this podcast on its own. You can download individual episodes, or you can get the podcast when you subscribe to the Slate Culture Gabfest or the Slate Daily Feed. I do recommend the Slate Culture Gabfest, so you may want to subscribe that way.

If you want to learn more about current popular songs, read Molanphy’s series, Why Is This Song No. 1? Like his podcast, this series takes a deep dive into the stories behind No. 1 songs. From just one article, I’ve learned about Luis Fonsi, Daddy Yankee, reggaetόn, and the history of past Spanish-language hits that made it to the Hot 100’s top spot.

Thank you, Chris Molanphy.

 

 

 

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Something Wonderful

Something Wonderful: Sebastian by Gian Carlo Menotti

Saint Sebastian
Coincidence? I think not! Saint Sebastian by Antonello da Serravalle (bode.diee.unica.it) [Public domain], via Wikimedia Commons

Gian Carlo Menotti is primarily known as a composer of operas. He’s most famous for his children’s Christmas opera, Amahl and the Night Visitors. But he also composed other music, including the wonderful ballet Sebastian. I’ve never had the opportunity to see it performed; I’m not sure how often ballet companies produce it. But the music itself is beautiful.

Sebastian is most often heard as a seven-movement suite, which is what I’m recommending to you. Honestly, I’m not crazy about the only complete version of the ballet that’s currently available. The problem is largely one of personal preference; I grew up with a slightly different interpretation (probably Leopold Stokowski’s), and it has become cemented in my mind as the “right” version. Also, the suite is nearly as long as the complete ballet, so if you buy the suite, you aren’t missing much. I enjoy the recording by the Spoleto Festival Orchestra under Richard Hickox. I urge you to follow the advice of one Amazon reviewer: Get the music on disc, not as an MP3. The MP3 version leaves breaks between movements that shouldn’t be there.

The 20th-century classical music that I prefer tends to be melodic — think Aaron Copland, not John Cage. Menotti falls squarely into the melodic camp. Sebastian is gorgeous. Its movements range from “Street Fight,” the most contemporary-sounding piece in the collection, to the parade-like “Cortege” and the lyrical “Pavane.”

I became familiar with the plot of the ballet when I was young, but at the time, I didn’t see anything special about the name of the title character and his fate. Briefly, Sebastian is a slave who is in love with a courtesan in an Italian court. She, in turn, loves — and is loved by — the prince. The prince’s sisters do not approve of the courtesan and steal her veil in order to kill her through witchcraft. They plot to cover a wax figure with the veil and pierce it with arrows, thus killing the courtesan. Sebastian substitutes himself for the figure in order to save the courtesan, who lives happily ever after with her beloved prince.

Years later I became familiar with the many gruesome paintings of Saint Sebastian, pierced by arrows. Can there be any doubt that Menottti was making a reference to the saint?

If you only knew Menotti through Amahl and the Night Visitors, or if you didn’t know him at all, it’s time to listen to Sebastian. It’s woefully underappreciated.

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Something Wonderful

Something Wonderful: Cat Ballou

Cat Ballou

I believe I was in college when my mom asked me if I’d ever seen Cat Ballou. I hadn’t, and when she first described it to me, I wasn’t sure I’d like it. At the time, I didn’t care for Westerns, and the fact that it starred Jane Fonda didn’t move me. My mom insisted that I watch it anyway. It’s been among my favorite movies ever since.

If you haven’t seen or heard of this movie yet, then you won’t know that Cat Ballou is a must-see largely because of Lee Marvin’s Oscar-winning performance. He plays more than one character in the film, but it’s his time on screen as Kid Shelleen that makes this movie a work of comic genius.

When I say that Marvin carries the movie, I don’t mean to disparage the rest of the film. There’s plenty more to enjoy. The music is infectious, particularly the songs performed by Stubby Kaye and Nat King Cole. I’ve found myself alone in the car singing “The Ballad of Cat Ballou”: “Cat Ballou! Cat Balloo-oo-ou! She’s mean and evil through and through!” Cole was suffering from his lung cancer while the movie was shot, but his voice was still silky smooth.

The script is fast-paced and entertaining, and the principle actors do it justice. I don’t know what filming was like for them, but it’s hard to imagine that they weren’t having fun. The dialogue is filled with exchanges like Cat’s argument with her “gang” as she tries to persuade them to rob a train. When Clay Boone tells her, “We’re rustlers, not train robbers,” she retorts, “Well, if people didn’t try something new, there wouldn’t be hardly any progress at all!”

But no matter how much I enjoy the film as a whole, Marvin’s performance outshines everything else. Without it, this might have been merely a good movie. With it, Cat Ballou is among the greats.

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Something Wonderful

Something Wonderful: Eulabee Dix

Philip Dix Becker by Eulabee Dix
Philip Dix Becker by Eulabee Dix [public domain], via Wikimedia Commons

I first learned about Eulabee Dix at the National Museum of Women in the Arts. I was enchanted with her miniature portraits, particularly with the painting of the baby pictured above.

Born in 1878, Dix began painting in her teens. She completed her last painting in 1958. Miniature paintings were experiencing a revival during her youth, and most of her work was in this area. At her peak, she painted famous people like Ethel Barrymore and Mark Twain. Unfortunately, her career was affected by a string of misfortunes, beginning with the 1929 stock market crash. Fewer people could afford to commission her, and miniature portraits fell out of style. She participated in the war efforts during World War II, which gave her less time to paint. Sometime after the war, her eyesight began to affect her work. She had to abandon at least two paintings during the 1950s due to poor eyesight.

I would find Dix’s portraits attractive even if they were much larger, but a lot of the charm is their size. There have been many successful miniature painters over the centuries, but I’m still in awe of anyone who can paint details such as lace on such a tiny scale. Maybe this is why her work has stuck with me since I first saw it more than 20 years ago.

You can view a lot of Dix’s work online, but there’s nothing like seeing it in person. If you can make it to D.C., I recommend a trip to the National Museum of Women in the Arts, not only to see Dix’s paintings but also to take in the museum as a whole. According to Wikipedia, there are at least two other places in D.C. where you can find work by Dix: the National Museum of American Art and the National Portrait Gallery. The Wikipedia entry also says that you can find some of her work at the Met in New York City and Museu Nacional de Arte Antiga in Lisbon.

Woman in Lace Trimmed Hat by Eulabee Dix
Woman in Lace Trimmed Hat by Eulabee Dix (public domain), via Wikimedia Commons
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Something Wonderful

Something Wonderful: Circus Juventas

My family has been attending Circus Juventas’ summer show in St. Paul, Minn., for more than a decade. Circus Juventas is a youth circus school, offering evening, weekend, and summer classes. It’s been the largest school of its kind in North America since 2008. This summer, you can see it not only in St. Paul but also in Washington, D.C.

The summer show is a contemporary circus in the style of Cirque du Soleil. It can include juggling, silks, the Russian bar, clowning, the high wire, dance, the wall trampoline, the German wheel, contortion, the flying trapeze, and many other acts. Each show tells a story; this summer’s show, Nordrsaga, is based on Norse mythology.

The kids in these shows are really good. They’ve been trained by outstanding teachers, many of whom have performed with circuses around the world. And while some of the acts could make you a little nervous, the performers are probably safer than high-school football players. There are plenty of nets, mats, and spotters. The show is one of the highlights of our family’s summer.

This year, Circus Juventas will perform at the Smithsonian Folklife Festival in Washington, D.C. If you will be in D.C. between June 29 and July 9, I highly recommend you make the time to see Circus Juventas at the festival. (Note that there are no festival events scheduled on July 5.) The kids will perform last year’s show, Wonderland.

The summer show is always held for a couple of weeks between late July and mid-August. Tickets go on sale about a month beforehand, and the shows tend to sell out.

If you can’t be in Minneapolis-St. Paul or Washington, D.C. for this summer’s shows and are now itching to see them, DVDs are available. See the menu in the left column of their summer show page for more information.

 

 

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Something Wonderful

Something Wonderful: Ms. Marvel

Kamala Khan aka Ms. Marvel
Kamala Khan is Ms. Marvel

I wasn’t going to write about Ms. Marvel. Kamala Khan has held that role for more than three years now, and she has been discussed by many pop culture critics. Since I try to avoid things I think most people already know about, I’ve told myself that I shouldn’t bother with the “new” Ms. Marvel.

But sometimes I’m reminded that things that I think almost everyone knows about are not, in fact, as popular as I imagine them to be. Ms. Marvel is well-known in the geek community, but lots of people don’t keep up with comic books. In all probability, many of my readers know little to nothing about this superhero. So when I read the latest Ms. Marvel volume, Civil War II, I decided not to resist the impulse to write about it.

Khan is a Pakistani-American living in Jersey City. She’s a typical teen geek; she loves Captain Marvel (the former Ms. Marvel, Carol Danvers) and Iron Man, and she writes fanfiction. After being exposed to the Terrigen Mist, she gains her powers: primarily the ability to change her body size — “embiggening,” shrinking or stretching all or part of her body at will — and the ability to heal quickly. Over time, and with mentoring from different heroes, she takes on the role of protecting Jersey City. She also joins the Avengers.

There are so many reasons I love Ms. Marvel. I revel in her unabashed geekiness. I enjoy watching her deal with typical teen problems and grow both as a person and as a hero. I also appreciate how Marvel has created a positive Muslim character; I think she is badly needed today. I was fortunate enough to grow up in a very diverse city. One of my close friends was a Muslim. Her family, immigrants from Bangladesh, warmly welcomed me into their home. I’m glad that Kamala represents the positive experience with Muslims that I had with my friend and her family.

Although Ms. Marvel has been dark from time to time in the past, particularly in the Last Days volume, it was generally a light-hearted comic aimed at a young audience. Civil War II is darker. Like last decade’s Marvel Civil War storyline, Civil War II crosses over several comic books. The focus of the conflict is a debate over the use of precognition to arrest criminals before they commit their crimes. Yes, the story has been told before — there’s even a nod to Minority Report when one character mentions “that one movie with that short actor.” Still, it’s well-told here. (I should note that I’m not really into crossover storylines like this, and I have only read Civil War II as far as it appears in Ms. Marvel comics.) Ms. Marvel has to think through the ethics of arresting people before they are to commit a crime, and she endures the agony of having to take a stand against one of her idols. This volume is thoughtful, beautiful, and heart-breaking.

There are only six collected volumes of Ms. Marvel comics to date; there will be seven as of Aug. 1. Since you can still digest all of the new Ms. Marvel comics easily (as opposed to all of the Wonder Woman comics), I recommend you start with volume 1, No Normal, and go from there. If the series seems too light or childish for you, you might want to jump ahead to Civil War II. Ms. Marvel was never bad, but in my opinion, she is getting better and better.

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Something Wonderful

Something Wonderful: Mistress Masham’s Repose

Mistress Masham's Repose

You probably know T. H. White for his collection of Arthurian stories, The Once and Future King. His book Mistress Masham’s Repose is less well-known, but it’s worth your while. I think I’ve read it three or four times!

The book follows the well-worn literary trope of the mistreated orphan. Even though there are a ridiculous number of orphans in British literature, many of the books and book series that fall into that category are quite good: think Jane Eyre, the Harry Potter series, and A Little Princess. I would add this book to that list.

Our orphan is Maria, a child of a once wealthy and powerful family. She lives in the ruins of her ancestral estate with her governess, Miss Brown, whom White describes as “cruel in a complicated way.”

For instance, when Maria’s last uncle had been alive, he had sometimes remembered to send the child a box of chocolates for Christmas. Miss Brown’s arrangements for any such parcel had usually been fixed in stages. First, Maria had not been allowed to open it when it came, “in case it had germs.” It had been sent down to the kitchen to be baked. Then Maria had been sent for, to the Northwest Drawing Room, in which Miss Brown resided, and the ruined parcel had been placed before her to be undone. The next step had been to claim that Maria had dirty hands, untruly, and to send her back to the kitchen, a ten minutes’ walk, to wash them. When she had got back at last, agog with expectation, and the poor melted chocolates had been unstuck from the brown paper, Miss Brown used to condemn them as improperly packed and throw them into the nearest lake with her own fair fingers “for fear they would make the child sick.”

On a day when Miss Brown is indisposed, Maria, playing pirate, wades ashore on Mistress Masham’s Repose, an island on her estate. There she makes a discovery: the island is inhabited by Lilliputians who were abducted and brought to England. When they escaped their captors, they managed to hide on the island until Maria found them.

Maria and the Lilliputians develop a complicated relationship. She loves them, but she is immature and has trouble relating to them as equals. White masterfully writes about the humanity of the Lilliputians without getting preachy or talking down to his audience. He also includes a great deal of humor, so things never get too heavy. This is the kind of book you might be tempted to read all Saturday afternoon, instead of taking care of those weekend chores you planned to knock off your list.

I almost hesitate to confess this, but in the interest of being honest with my readers, I will: I have never read The Once and Future King. That’s not because I’m not interested. I like Arthurian stories, and I love White’s writing; I just haven’t gotten to it yet. So I cannot compare Mistress Masham’s Repose to the author’s more famous work. I can assure you that it’s an excellent book. If you have children, get a copy and read it to them. If not… don’t let that stop you from treating yourself!